Books, Arts & Photography, Schools, Periods & Styles, Dadaism

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Dorothea Dietrich, Brigid Doherty, Sabine Kriebel, Janine Mileaf, ...
Dada: Zurich, Berlin, Hannover, Cologne, New York, Paris
by National Gallery of Art, Washington/D.A.P. (Paperback) (Release Date: 2008-03-01)

Now available in paperback, this lavishly illustrated and astonishingly comprehensive volume stands as the definitive study of the influential but deliberately elusive international Dada movement of the early twentieth century. Organized according to the primary city centers where this shifting, quintessentially avant garde movement emerged, Dada: Zurich, Berlin, Hannover, Cologne, New York, Paris features the work of 40 key artists, both infamous and lesser-known, including Louis Aragon, Hans Arp, Hugo Ball, Andre Breton, Otto Dix, Marcel Duchamp, Hannah Hoch, Man Ray, Tristan Tzara and Kurt Schwitters, to name just a few, in media spanning painting, sculpture, photography, collage, photomontage, prints and graphic work. Dynamically designed with an uncommon intelligence suited to the complexity of the movement itself, it contains hundreds of reproductions of works which, until the major traveling exhibition of 2005 and 2006 for which this book was originally produced, had for ...

Hans Richter
Dada: Art and Anti-Art (World of Art)
by Thames & Hudson (Paperback)

"Where and how Dada began is almost as difficult to determine as Homer's birthplace," writes Hans Richter, who was associated with the movement from its early days. Here, through selections from key manifestos and other documents of the time, he records Dada's history, from its beginnings in wartime Zurich to its collapse in the Paris of the 1920s. Dada led on from Expressionism, Cubism, and Futurism, and in turn prepared the way for Surrealism. It was enlivened by bizarre and extravagant personalities, notably Tristan Tzara, Francis Picabia, Hans Arp, Kurt Schwitters, Marcel Duchamp, Max Ernst, and Man Ray, whose contributions are fully discussed. The spirit of Dada reappeared in the 1960s in movements such as Pop Art, which are surveyed in the final section.

Dietmar Elger
Dadaism (Basic Art)
by Taschen (Paperback)

Detailed introduction to Dadaism with 30 photographs plus timeline of most important political, cultural, scientific and sporting events. Body of book contains 35 of most important works of epoch with interpretationand artist biography.

The Dada Painters and Poets: An Anthology, Second Edition (Paperbacks in Art History)
by Belknap Press (Paperback)

The Dada Painters and Poets offers the authentic answer to the question "What is Dada?" This incomparable collection of essays, manifestos, and illustrations was prepared by Robert Motherwell with the collaboration of some of the major Dada figures: Marcel Duchamp, Jean Arp, and Max Ernst among others. Here in their own words and art, the principals of the movement create a composite picture of Dada--its convictions, antics, and spirit. First published in 1951, this treasure trove remains, as Jack Flam states in his foreword to the second edition, "the most comprehensive and important anthology of Dada writings in any language, and a fascinating and very readable book." It contains every major text on the Dada movement, including retrospective studies, personal memoirs, and prime examples. The illustrations range from photos of participants, in characteristic Dadaist attitudes, to facsimiles of their productions.

The DADA Reader: A Critical Anthology
by University Of Chicago Press (Paperback)

The revolutionary Dada movement, though short-lived, produced a vast amount of creative work in both art and literature during the years that followed World War I. Rejecting all social and artistic conventions, Dadaists went to the extremes of provocative behavior, creating “anti-art” pieces that ridiculed and questioned the very nature of creative endeavor. To understand their movement’s heady mix of anarchy and nihilism—combined with a lethal dash of humor—it’s essential to engage with the artists’ most important writings and manifestos. And that is is precisely where this reader comes in. Bringing together key Dada texts, many of them translated into English for the first time, this volume immerses readers in some of the most famous (and infamous) periodicals of the time, from Hugo Ball’s Cabaret Voltaire and Francis Picabia’s 391 to Marcel Duchamp’s The Blind Man and Kurt Schwitters’s Merz. Published in Europe and the United States between 1916 and ...

Tristan Tzara
Seven Dada Manifestos and Lampisteries (A Calderbook, Cb 358)
by Calder Publications (Paperback)

George Baker
The Artwork Caught by the Tail: Francis Picabia and Dada in Paris (October Books)
by The MIT Press (Hardcover)

The artist Francis Picabia—notorious dandy, bon vivant, painter, poet, filmmaker, and polemicist—has emerged as the Dadaist with postmodern appeal, and one of the most enigmatic forces behind the enigma that was Dada. In this first book in English to focus on Picabia's work in Paris during the Dada years, art historian and critic George Baker reimagines Dada through Picabia's eyes. Such reimagining involves a new account of the readymade—Marcel Duchamp's anti-art invention, which opened fine art to mass culture and the commodity. But in Picabia's hands, Baker argues, the Dada readymade aimed to reinvent art rather than destroy it. Picabia's readymade opened art not just to the commodity, but to the larger world from which the commodity stems: the fluid sea of capital and money that transforms all objects and experiences in its wake. The book thus tells the story of a set of newly transformed artistic practices, claiming them for art history—and naming them—for the ...

Elsa Bethanis, Peter Bethanis
Dada and Surrealism For Beginners
by For Beginners (Paperback) (Release Date: 2007-08-21)

What kind of artists put a moustache on the Mona Lisa? Enter a urinal in an art competition? Declare their own independent republic? Hijack a ship? Dadas!And what happens to such a movement? With Dada, many of the artists declared their own "Pope" and continued their journey (with no destination) into Surrealism, creating burning giraffes, "amoebic" dogs, and lobster telephones–some of the most imaginative and intense works of art of the 20th century. In Dada and Surrealism For Beginners, you'll get a colorful overview of these two movements, and develop a sense of the turbulent, wild, and unapologetically mad mood and tone of the Dada and Surrealist movements. Whether you're an artist, would-be artist, or someone seeking the marvelous, you'll find the courage and originality of the movements inspiring, and you'll gain an understanding of their long-term (and current) influences on contemporary art and culture – everything from performance art to pop art to the abandoned ...

Marc Dachy
Dada: The Revolt of Art (Discoveries)
by "Harry N. Abrams, Inc." (Paperback)

Well-written, loaded with information, and with a rich assortment of illustrations, each Discoveries(r) volume is a look at one facet of art, archaeology, music, history, philosophy, popular culture, science, or nature. These innovatively designed, affordably priced, compact paperbacks bring ideas to life and amplify our understanding of civilization in a new way. Dada was one of the most important and influential movements in 20th-century art. Beginning in the anti-establishment climate around World War I, it encompassed painting, sculpture, photography, poetry and language, graphic design, film, performing arts, and criticism in Europe and America. Dada had an immense effect on art throughout the 20th century. Its emphasis on machines reflected similar mechanistic currents in art through the war years; its appropriation of advertising imagery was revived in Pop Art in later decades; and its anti-aesthetic, anti-object, and anti-art principles persisted in important spurs of ...

The Dada Almanac (Atlas Arkhive, 1)
by Atlas Press (Paperback)

"Dada Means Nothing!" So proclaimed Tristan Tzara, the movement’s tireless publicist. Yet this did not prevent the most fanatical and talented artists ans writers across Europe from rushing to join its ranks. Anti-war, anti-art, anti-dada, from its beginnings in Zurich during the first World War the dadas swept aside the cultural, philosophical and political norms of their time. Utter disgust with a society that had created the war (and then expected to survive the peace) spurred them to ever greater demonstrations of revulsion and derision. Yet it was not all nihilism: many factions worked within the Dada Movement and it was Huelsenbeck’s intention to embody most of them in the Dada Almanac. The largest collection of Dadaist texts ever assembled by the movement, it was originally published in 1920 in a mixture of French and German. The Dada Almanac was truly international in scope, with substantial sections from the Swiss and French sections of the movement, it embodies ...

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